About me

I’m a sound engineer and producer based in SE London. With almost 10 years experience, I’m practised at helping artists move their work in to new contexts, whether that’s on to the stage, or in to the studio.

The best sessions happen when artists feel most able to dive in and experiment freely, so I like to think that my job is to meet artists wherever they are on their recording journey and help make the studio a less intimidating place. My job isn’t to take your project away from you, but to help lift it and present it in a way that feels right. Because of that, I work across a lot of genres - I love any music that aims to speak to an experience and make listeners feel. I am always interested in the story behind the writing and the intention for the project so that can be reflected in my actions.

So whether your work makes people want to pretty-cry in a moody forest, or dance it off in a dark basement - I want to help you get there!

Scroll down to see my services, credits and booking form.

Having worked for years in live sound, before moving in to the studio, I’ve met a lot of performers who find the technical side of their creative practice really intimidating. Soul-destroying even! I definitely found this at the start of my career, as a session vocalist, which is why I am committed to creating a warm and supportive environment where artists feel able to ask questions and take part in technical decisions.
Music tech requires a really wide range of understanding, and I’ve often found that the ways we discuss and teach tech can be excluding to lots of people. Having trained my own teams, I know this doesn’t have to be the way. I passionately believe that tech should support and inspire creativity, not act as a barrier to it, so I’m always willing to share knowledge and work collaboratively with artists.
Meeting you wherever you are in your process also means choosing the right space to work in, so whether you’d prefer to track your song in a home set-up, or use my connections to hire out a larger studio space, we’ll find an option to suit your budget and style.

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My Services

I offer a range of services in live sound, recording and post production.

Please get in touch to discuss rates.

Contact

Whether you’re wanting to meet to workshop a song, track a demo or hire out a studio for the final record, I’m here to help! Having recorded my own work in DIY settings, and at the other end of the scale worked on the consoles at Hackney Road Studios, I understand the range of set-ups that artists work with and I’m happy to meet you where you are.
No matter what stage you’re at with your song, don’t be afraid to get in touch!
Take a look below to see my recording credits, or check my Instagram to see what I’ve been up to lately.
I have almost 10 years experience as a live engineer, mainly as an FOH, but also gaining experience with monitors, lighting and stage building along the way. I also acted as the head technician for a 1,000 capacity venue where I trained my own teams from scratch.
I’m happy to engineer a broad range of events from single-mic stand up comedy, all the way through to large-scale gigs. I’ve also acted as the technical manager for a number of comedy acts both in London and at the Edinburgh Fringe.
I currently casual for a number of venues including The Roundhouse, as well as touring with regular clients. In 2025 I handled advancing and tour managing for Matthew Herbert, as well as mixing his shows for his most recent album ‘Clay’ with Momoko Gill.
Check my credits below for more info.
I have extensive experience as a live audio recordist for stand-up specials, broadcast, conferences and archival purposes. I’ve worked on projects broadcast on Sky TV and Netflix, and worked with a number of production companies and independent artists at all stages of their careers.
As such, I’m always open to weird and wonderful recording requests, even if it’s a reference for a stand up set, field recordings, or you just want content for socials. Get in touch to discuss rates.
Over the course of my career so far I’ve been lucky enough to have lots of opportunities to teach others, and really enjoy doing it still!
I began by heading up the Songwriting class at the Camden Music Saturday Centre for a few years, before guest lecturing Live Sound at Goldsmiths University, both before and after graduating on the Pop Music degree. On moving to Edinburgh, I often facilitated sessions on live tech and studio inductions at Napier university.
Most recently, I returned to my old stomping ground to teach a session on DIY recording at Goldsmiths Student Union as part of their freshers week events.
When I was learning these skills, I never had the chance to be taught music tech by another AFAB person, and because of this feel very aware of how many people can be left out by the way music tech is normally taught. That’s why I have a strong commitment towards de-gatekeeping technical disciplines and teaching in a way that doesn’t alienate those who need support the most.
Whether it’s production advice, a crash course in live sound, or improving your recording techniques, I’m here to help. I offer group workshops and 1-2-1 tutoring, so if you’re looking for some pointers, mentorship, or a visiting lecturer; please do get in touch!

Credits

Clients: Matthew Herbert & Momoko Gil (FOH/Tour Manager), The Vernon Spring (FOH/Tour Manager for UK & EU 2025 tour), Schuh x Bakar, Artful Dodger, Glenn Tilbrook, bb sway, Steamdown, Molly Burman, Kitty Fitz, Atlantis Gandhi, Ewe & Friends, Emmélin, Holden, Linton Kwesi Johnson,
Venues: The Roundhouse, Village Underground, Third Man Records, The Jazz Cafe, King’s Place, Soho Theatre, Soho Theatre Walthamstow, Pleasance (Edinburgh), St Pancras Old Church, Strangebrew (Bristol), The Albany Theatre, Goldsmiths University, Monkey Barrel Comedy (Edinburgh), Hare & Hounds (Birmingham), Forge Warehouse (Sheffield)
International Venues: Dekmantel (Amsterdam), L’Archipel (Paris), Lethargy Festival (Zurich), Ricci Weekender‍ ‍(Sicily), Colosseum (Berlin), Tivolivredenberg (Utrecht), Kikumu Festival (Tallinn, Estonia)
Producing: Fire Delphi, Could We Just Sleep? Delphi, U Ok? Delphi (Co-produced)
Engineer: This Body Jodie Howl (Backing vocals), She Lives (EP) Delphi
Assistant Engineer: Waves Ruby Duff (Bob Matthews), Shirley Ly (Sean Woodlock), Emma Davidson (Sean Woodlock)
Audio recordist
Moment’s Notice at AMP Studios (Mar’ 25)
Matthew Herbert & Momoko Gill at The Jazz Cafe (Nov '24)
Chris Cantrill - Easily Swayed (Aug/Dec '24)
InMusic23 Conference (July '23)
Garret Millerick - Never Had It So Good (June '23)
Garret Millerick - Just Trying To Help (June '23)
Pierre Novellie - Why Can't I Just Enjoy Things? (June '23)
Christopher MacArthur-Boyd - Oh No (May '23)
Biswa Kalyan Rath - Mood Kharaab (Dec '22)
The Delightful Sausage - Nowt But Sea (Nov '22)
Amy Gledhill & Chris Cantrill (Nov '22)
Sean McLoughlin - So Be It (Nov '22)
Nish Kumar - Your Power, Your Control (Oct '22)
Audio Editor
Chris Cantrill - Easily Swayed (Sep/Dec '24), Hannah Platt - Defense Mechanism (Sep '24), The Delightful Sausage - Nowt But Sea (Nov '22), Amy Gledhill & Chris Cantrill (Nov '22)
AES Scotland Conference (Dec '23), Sunday Treat - Johnson & Johnson Conference (July '22), The Albany Theatre/Goldsmiths University Degree shows. (July '18 and '19)
Amahla, Imogen and the Knife (formerly IMOGEN), The Last Morrell, Tall Child (formerly Zha), Raie, Sylvie Wiley, Emily Izen Rowe
In my capacity as a Technical manager/FOH engineer, I’ve managed the sound for a number of comedians at Edinburgh Fringe and as a freelance technician for Soho Theatre Walthamstow
Edinburgh Fringe
Amy Gledhill (The Girl Before The Girl You Marry, Monkey Barrel, 2022); Chris Cantrill (Easily Swayed, Monkey Barrel, 2024); The Delightful Sausage (Nowt But Sea, Monkey Barrel, 2022), Esther Manito (Not All Men, Gilded Balloon, 2022); Hannah Platt (Defence Mechanism, Pleasance, 2024); Isobel Rogers (How To Be Content, Pleasance, 2024); Nick Helm (What Have We Become?,Pleasance, 2022)
Soho Theatre Walthamstow
Neon Nights: Dylan Moran, Fern Brady, Catherine Bohart, Phil Wang, Fatiha Al-Ghorri, Jin Hao-Li, Olga Koch, Josh Pugh, Lauren Pattison, Celya AB, Michael Odewale, John Tothill‍ ‍Sophie Duker, Larry Dean, Toussaint Douglass, Louise Young, Ian Smith, Sam Nicoresti, Hasan Al-Habib, Alexandra Haddow, Frankie Thompson, Phil Ellis, Alison Spittle, Frankie Monroe, Emmanuel Sonubi, Rosco McClelland, Thaniya Moore, Lorna Rose Treen, Christopher Hall, Ayoade Bamgboye, Liam Withnail , Kemah Bob
Specials:
Sue Perkins: The Eternal Shame Of Sue Perkins, 2026
Aisling Bea: Older Than Jesus, 2026
Sarah Keyworth: My Eyes Are Up Here, 2025
Brown Girls Do It Too: Mama Told Me Not To Come, 2025
Kiki & Herb: Kiki and Herb Are Trying!, 2025
Kiell Smith-Bynoe & Friends: Kool Story Bro, 2025

Get in touch

John Stansfield, A Lovely Time Productions

“Delphi was the tech for two of our Edinburgh Fringe shows and quickly showed that they had nouse way beyond their years as a technician. They immediately showed themselves to be indispensable to not only the show as a concept but to the acts as a steady hand and integral part of the performance. I could not recommend them highly enough but am worried they’ll get too busy and we won’t be able to hire them for future shows! A calming and professional presence in a sometimes manic work place, Delphi is quite simply the best tech I’ve ever worked with.”

Serena Flynn, United Agents

“Delphi was a complete lifesaver, stepping in to take over tech on a show, and did so with high levels of skill, a can-do attitude and fantastic communication - I would recommend Delphi to anyone.”