About me

I’m a sound engineer and producer based in SE London. With almost 10 years experience, I’m practised at helping artists move their work in to new contexts, whether that’s on to the stage, or in to the studio.

The best sessions happen when artists feel most able to dive in and experiment freely, so I like to think that my job is to meet artists wherever they are on their recording journey and help make the studio a less intimidating place. My job isn’t to take your project away from you, but to help lift it and present it in a way that feels right. Because of that, I work across a lot of genres - I love any music that aims to speak to an experience and make listeners feel. I am always interested in the story behind the writing and the intention for the project so that can be reflected in my actions.

So whether your work makes people want to pretty-cry in a moody forest, or dance it off in a dark basement - I want to help you get there!

Scroll down to see my services, credits and booking form. Or get in touch by email: delphildnmusic@gmail

Having worked for years in live sound, before moving in to the studio, I’ve met a lot of performers who find the technical side of their creative practice really intimidating. Soul-destroying even! I definitely found this at the start of my career, as a session vocalist, which is why I am committed to creating a warm and supportive environment where artists feel able to ask questions and take part in technical decisions.
Music tech requires a really wide range of understanding, and I’ve often found that the ways we discuss and teach tech can be excluding to lots of people. Having trained my own teams, I know this doesn’t have to be the way. I passionately believe that tech should support and inspire creativity, not act as a barrier to it, so I’m always willing to share knowledge and work collaboratively with artists.
Meeting you wherever you are in your process also means choosing the right space to work in, so whether you’d prefer to track your song in a home set-up, or use my connections to hire out a larger studio space, we’ll find an option to suit your budget and style.

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My Services

I offer a range of services in live sound, recording and post production.

Please get in touch to discuss rates.

Contact

Whether you’re wanting to meet to workshop a song, track a demo or hire out a studio for the final record, I’m here to help! Having recorded my own work in DIY settings, and at the other end of the scale worked on the consoles at Hackney Road Studios, I understand the range of set-ups that artists work with and I’m happy to meet you where you are.
No matter what stage you’re at with your song, don’t be afraid to get in touch!
Take a look below to see my recording credits, or check my Instagram to see what I’ve been up to lately.
I have almost 10 years experience as a live engineer, mainly as an FOH, but also gaining some experience with monitors, lighting and stage building along the way. I also acted as the head technician for a 1,000 capacity venue where I trained my own teams from scratch.
I’m happy to engineer a broad range of events from single-mic stand up comedy, all the way through to large-scale gigs. I’ve also acted for as a technical manager for a number of comedy acts both in London and at the Edinburgh Fringe.
I currently casual for a number of venues including The Roundhouse and Woolwich Works. Check my credits below for more info.
I have extensive experience as a live audio recordist for stand-up specials, broadcast, conferences and archival purposes. I’ve worked on projects broadcast on Sky TV and Netflix, and worked with a number of production companies and independent artists at all stages of their careers.
As such, I’m always open to weird and wonderful recording requests, even if it’s a reference for a stand up set, field recordings, or you just want content for socials. Get in touch to discuss rates.

Credits

Clients: Matthew Herbert & Momoko Gil, Schuh x Bakar, Artful Dodger, Glenn Tilbrook, bb sway, Steamdown, Molly Burman, Kitty Fitz, Atlantis Gandhi, Ewe & Friends, Emmélin, Holden, Linton Kwesi Johnson, Amy Gledhill, Chris Cantrill, The Delightful Sausage, Esther Manito, Chris Macarthur-Boyd, Nick Helm, A Lovey Time Productions, United Agents
Venues: The Roundhouse, Third Man Records, The Jazz Cafe, Soho Theatre, Pleasance (Edinburgh), St Pancras Old Church, The Albany Theatre, Goldsmiths University, Monkey Barrel Comedy (Edinburgh)
Producing: Fire Delphi, Could We Just Sleep? Delphi, U Ok? Delphi (Co-produced)
Engineer: She Lives (EP) Delphi
Assistant Engineer: Waves Ruby Duff (Bob Matthews), Shirley Ly (Sean Woodlock), Emma Davidson (Sean Woodlock)
Audio recordist
Matthew Herbert & Momoko Gill at The Jazz Cafe (Nov '24)
Chris Cantrill - Easily Swayed (Aug/Dec '24)
InMusic23 Conference (July '23)
Garret Millerick - Never Had It So Good (June '23)
Garret Millerick - Just Trying To Help (June '23)
Pierre Novellie - Why Can't I Just Enjoy Things? (June '23)
Christopher MacArthur-Boyd - Oh No (May '23)
Biswa Kalyan Rath - Mood Kharaab (Dec '22)
The Delightful Sausage - Nowt But Sea (Nov '22)
Amy Gledhill & Chris Cantrill (Nov '22)
Sean McLoughlin - So Be It (Nov '22)
Nish Kumar - Your Power, Your Control (Oct '22)
Audio Editor
Chris Cantrill - Easily Swayed (Sep/Dec '24), Hannah Platt - Defense Mechanism (Sep '24), The Delightful Sausage - Nowt But Sea (Nov '22), Amy Gledhill & Chris Cantrill (Nov '22)
AES Scotland Conference (Dec '23), Sunday Treat - Johnson & Johnson Conference (July '22), The Albany Theatre/Goldsmiths University Degree shows. (July '18 and '19)
Amahla, Imogen and the Knife (formerly IMOGEN), The Last Morrell, Tall Child (formerly Zha), Raie, Sylvie Wiley, Emily Izen Rowe

Get in touch

John Stansfield, A Lovely Time Productions

“Delphi was the tech for two of our Edinburgh Fringe shows and quickly showed that they had nouse way beyond their years as a technician. They immediately showed themselves to be indispensable to not only the show as a concept but to the acts as a steady hand and integral part of the performance. I could not recommend them highly enough but am worried they’ll get too busy and we won’t be able to hire them for future shows! A calming and professional presence in a sometimes manic work place, Delphi is quite simply the best tech I’ve ever worked with.”

Serena Flynn, United Agents

“Delphi was a complete lifesaver, stepping in to take over tech on a show, and did so with high levels of skill, a can-do attitude and fantastic communication - I would recommend Delphi to anyone.”